Category: Wolfi Landstreicher

Bob Black, Chuck Dodson, Issue #3, Jason McQuinn, Joseph Winogrond, Karen Goaman, Lawrence Stepelevich, Manolo Gonzalez, Maurice Spira, Paul Z. Simons, Susannah Clemence, Wolfi Landstreicher

MS#3 Contributors

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Bob Black is author of many interventions, as well as a number of books, including The Abolition of Work and other Essays, Anarchy after Leftism, Beneath the Underground and Friendly Fire, along with the yet-to-be-published, Nightmares of Reason, and his latest work, Defacing the Currency: Selected Writings 1992 – 2012. He has contributed to many periodicals, including Anarchy: A Journal of Desire Armed.

Susannah Clemence. “Forty-odd years ago in a blacked-out West London bathroom, I was shown how to rinse a silkscreen. A bayonet-armed soldier charged above the slogan,

`DO NOT ADJUST YOUR MIND
THERE IS A FAULT IN REALITY’

I want to address the fault. To confront reality, we must see it as it is — that is the function of my art.”

Chuck Dodson. “Self-taught critical thinker, into mixing creatively intelligent surrealism with decolonization awareness. WalkiNg with post-left anarchist critique (tho realizing the value of confrontational nonviolent-orientations) and unsettling settler mentalities, via a self-theory of continual process-oriented “span-aRchy”; –keeping “spans” or informal bridges with aLL human beings (not roboticized machines), while systematically demystifying social control alienation tacts. A deep background in queer and youth solidarity dariNg, amongst a wide swath of other topics. Seeking not `revolution’ but evolution of mind-set, walking thru FEARs as a spirituaL path. (da Visionary Report is one of his projects.)

Karen Goaman has a PhD in Anthropology, University College London. She has written numerous articles in anthologies (2009, Jun & Wahl eds., New Perspectives on Anarchism; 2008, Roca Martínez ed., Anarquismo y Antropología; 2004, Purkis & Bowen eds., Changing Anarchism; 1997, Purkis & Bowen, Towards a 21st Century Anarchism) and in Anarchist Studies. She has worked as a Senior Editor in book publishing and as a part-time Lecturer in Communications at London Metropolitan University.

Manolo Gonzalez grew up a child of the Spanish Revolution in Barcelona, before leaving as a refugee and ending up (by way of North Africa and South America) living and teaching in San Francisco. He will be remembered for his writings on the revolution and its aftermath.

Wolfi Landstreicher is a long-time anarchist and egoist, the author of the book Willful Disobedience from Ardent Press, publisher of the egoist anarchist bulletin, My Own, pamphleteer through his project Intellectual Vagabond Editions, translator (Italian and German, with occasional forays into French) and contributor to Anarchy, A Journal of Desire Armed, as well as Modern Slavery. He has recently translated Max Stirner’s “Stirner’s Critics” and “The Philosophical Reactionaries” in Stirner’s Critics, and is now at work on a forthcoming new translation of Max Stirner’s The Unique and Its Property.

Jason McQuinn, the juggling anarchist, is a founder and was a long-time editor of Anarchy: A Journal of Desire Armed from 1980 to 2006; as well as the founder and editor of Alternative Press Review and North American Anarchist Review while they were published, and now of the Modern Slavery journal. He is now working on the long-overdue Post-Left Anarchy anthology and recently contributed introductions to Wolfi Landstreicher’s translation of Stirner’s Critics and the LBC edition of Raoul Vaneigem’s Treatist on Etiquette (Revolution of Everyday Life).

Paul Z. Simons was born May 3, 1960 – Salt Lake City – to an unwed mother, an act under Utah state law that made both he and his mother subject to arrest and fine or imprisonment. In his words, “I was born fighting against the law, I live that way and I’ll probably die that way.” An anarchist and Buddhist he has consistently staked out positions that motivate towards contestation with the authoritarian structure that currently labels itself Capital and society. He has written a number of widely read pieces including “Seven Theses on Play,” “Keep Your Powder Dry,” a chapter in Gone to Croatan, and the Afterword for John Zerzan’s Elements of Refusal.  Finally he says, “My proudest moment was participating in the Tompkins Square riot. I found out what freedom and democracy were made of – in an instant.” Simons lives, works, and writes in LA.

Maurice Spira was born in Kent, England in 1944. After four years of quite traditional studies at a provincial art school, and a stint in advertising in London, he left in 1966 for the “new world.” In the ensuing years 1966-74, the psychoactively enriched counter-cultural milieu in Montréal transformed him utterly. Then, after travelling and painting in Mexico during the mid-seventies, he settled in Vancouver. By the early ’80s, requiring a breath of fresh air, Spira vacated the metropolis for a somewhat more rural existence on the Sunshine Coast. More than two decades later, he continues to paint and print in his Roberts Creek studio, while still finding time to grow excellent red cabbages and spuds.

Lawrence S. Stepelevich is Professor Emeritus of Philosophy at Villanova University. He served as President of The Hegel Society of America and, from 1977 to 1996, was the executive Editor of the Journal of that Society, The Owl of Minerva.

Joseph Winogrond (BA New School, MLitt Ethnology Aberdeen) studied at the University of Wisconsin under Walter R. Agard, Paul MacKendrick, Herbert M. Howe, Herbert S. Lewis and others in the classics and anthropology. After a “Flower Raj” year with the Tibetans at Benares he transferred to the New School where Stanley Diamond was teaching. In 1967 he was co-partner of the Liberation News Service, the New York wire service operated out of its basement offices on Claremont Avenue for more than 400 disparate 1960s underground newspapers. He is presently assembling a pre-market-economy dictionary of northern Europe, Wild English.

Essays, Issue #1, Wolfi Landstreicher

Strangers in an Alien World

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Some thoughts on being an anarchist at the beginning of the 21st century

A serialized book-in-progress by Wolfi Landstreicher

Introduction

“…we are alone, with an entire world ranged against us.”
-Andrea Dorea

I have been an anarchist for well over thirty years now. For me this has never been an identity to which to cling, a label to give me a sense of belonging. It has rather been an ongoing challenge to face my life in a particular way, constantly raising the
question of what it means to reject every form of domination and exploitation in my life on a practical level. This is not a simple question with easy answers, but a problem that I have to wrestle with constantly, because I am facing a world here and
now in which domination and exploitation define social relationships, in which most individuals are dispossessed of every possibility of determining their own existence, alienated from the creative energy through which such a project could be
realized. As an anarchist, I have made a decision to reject and fight against this world. This makes me a deserter, an outsider, indeed, a stranger in an alien world. Obviously, this is not an easy choice. Several years ago I wrote: “I am not a peaceful man, a man content and willing to accept the will of the gods No, I am a man at war – with the world and with society, indeed, but also with myself and those I love the most.” And I think that this is inevitably true for any anarchist who is sincere in her desire to live her refusal of the impositions of the ruling order. To overcome the isolation of this refusal it is necessary to seek accomplices with whom to steal back the creative energy with which we can build our lives together on our own terms and with whom to use that energy to destroy the alien world that the ruling order imposes on us. I wrestle constantly with the question of how to go about living in this way and carrying on this project with joy. The thoughts that follow stem from this questioning.[pullquote]     As an anarchist, I have made a decision to reject and fight against this world. This makes me a deserter, an outsider, indeed, a stranger in an alien world…. To overcome the isolation of this refusal it is necessary to seek accomplices with whom to steal back the creative energy with which we can build our lives together on our own terms and with whom to use that energy to destroy the alien world that the ruling order imposes on us.[/pullquote]

If I refer mainly to anarchists in speaking of the projects I pursue, it is because I am an anarchist and choose to carry out my projects in a certain way because of this. At the same time, I am quite aware that complicity cannot be limited to anarchists. There are those who hate the habitual, unthinking daily activities, relationships and roles that make up this society and that by their nearly universal unconscious acceptance are imposed on all of us, but who do not express this through revolutionary or anarchist ideas. Nonetheless, they act against this society in their lives, and they are also potential accomplices. In fact, only by being open to such relationships can we anarchists break out of the ghettos in which we so easily lose ourselves. So I am addressing these thoughts mainly to anarchists, but also to anyone who despises the enslaving impositions of this society.

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Bruno Massé, Issue #2, James Koehnline, Jason McQuinn, Joseph Winogrond, Karen Goaman, Lawrence Stepelevich, Maurice Spira, Paul Z. Simons, Ron Sakolsky, Wolfi Landstreicher

MS #2 Contributors

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Karen Goaman has a PhD in Anthropology, University College London. She has written numerous articles in anthologies (2009, Jun & Wahl eds., New Perspectives on Anarchism; 2008, Roca Martínez ed., Anarquismo y Antropología; 2004, Purkis & Bowen eds., Changing Anarchism; 1997, Purkis & Bowen, Towards a 21st Century Anarchism) and in Anarchist Studies. She has worked as a Senior Editor in book publishing and as a part-time Lecturer in Communications at London Metropolitan University.

James Koehnline is a Seattle-based artist and library worker, long-time member of Autonomedia publishing collective and contributor to Anarchy: A Journal of Desire Armed and other radical publications. Online gallery at:
http://james119.deviantart.com/

Wolfi Landstreicher is a long-time anarchist and egoist, the author of the book Willful Disobedience from Ardent Press, publisher of the egoist anarchist bulletin, My Own, pamphleteer through his project Intellectual Vagabond Editions, translator (Italian and German, with occasional forays into French) and contributor to Anarchy, A Journal of Desire Armed, as well as Modern Slavery.

Bruno Massé is an environmental activist devoted to the anti-civilisation critique. As a fiction writer, he has published several works of horror, cyberpunk and erotica in French and English. He is a member of the Anarchist Writers Bloc and performs annually at the International Anarchist Theatre Festival of Montréal.
www.brunomasse.com  http://www.daemonflower.com/?lang=fr

Jason McQuinn, the juggling anarchist, is a founder and was a long-time editor of Anarchy: A Journal of Desire Armed from 1980 to 2006; as well as the founder and editor of Alternative Press Review and North American Anarchist Review while they were published, and now of the Modern Slavery journal.

Ron Sakolsky is a rainforest renegade whose recent books include Creating Anarchy (Fifth Estate,2005), Swift Winds (Eberhardt, 2009), and Scratching The Tiger’s Belly (Eberhardt, 2012); all meant as fleeting signposts illuminating a myriad array of marvelous adventures, disconcerting pitfalls, and dead ends on the constantly unfolding road from mutual acquiescence to mutual aid.

Paul Z. Simons was born May 3, 1960 – Salt Lake City – to an unwed mother, an act under Utah state law that made both he and his mother subject to arrest and fine or imprisonment. In his words, “I was born fighting against the law, I live that way and I’ll probably die that way.” An anarchist and Buddhist he has consistently staked out positions that motivate towards contestation with the authoritarian structure that currently labels itself Capital and society. He has written a number of widely read pieces including “Seven Theses on Play,” “Keep Your Powder Dry,” a chapter in Gone to Croatan, and the Afterword for John Zerzan’s Elements of Refusal.  Finally he says, “My proudest moment was participating in the Tompkins Square riot. I found out what freedom and democracy were made of – in an instant.” Simons lives, works, and writes in LA.

Maurice Spira was born in Kent, England in 1944. After four years of quite traditional studies at a provincial art school, and a stint in advertising in London, he left in 1966 for the “new world.” In the ensuing years 1966-74, the psychoactively enriched counter-cultural milieu in Montréal transformed him utterly. Then, after travelling and painting in Mexico during the mid-seventies, he settled in Vancouver. By the early ’80s, requiring a breath of fresh air, Spira vacated the metropolis for a somewhat more rural existence on the Sunshine Coast. More than two decades later, he continues to paint and print in his Roberts Creek studio, while still finding time to grow excellent red cabbages and spuds.

Lawrence S. Stepelevich is Professor Emeritus of Philosophy at Villanova University. He served as President of The Hegel Society of America and, from 1977 to 1996, was the executive Editor of the Journal of that Society, The Owl of Minerva.

Joseph Winogrond (BA New School, MLitt Ethnology Aberdeen) studied at the University of Wisconsin under Walter R. Agard, Paul MacKendrick, Herbert M. Howe, Herbert S. Lewis and others in the classics and anthropology. After a “Flower Raj” year with the Tibetans at Benares he transferred to the New School where Stanley Diamond was teaching. In 1967 he was co-partner of the Liberation News Service, the New York wire service operated out of its basement offices on Claremont Avenue for more than 400 disparate 1960s underground newspapers. He is presently assembling a pre-market-economy dictionary of northern Europe, Wild English.

Book Reviews, Issue #1, Reviews, Wolfi Landstreicher

Egoism versus modernity: John Welsh’s dialectical Stirner

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A review of Max Stirner’s Dialectical Egoism by Wolfi Landstreicher

Max Stirner’s Dialectical Egoism: A New Interpretation by John F. Welsh (Lexington Books, Lanham, MD, 2010). 293 pp., $85.00 hardcover / $34.95 paper.

Since its publication in 1844, Max Stirner’s book Der Einzige und Sein Eigentum (entitled The Ego and Its (or His) Own in the currently available English editions1) has rarely been dealt with on its own terms. When not simply suppressed, it has been misrepresented or used as a foil to promote agendas foreign to it. Alfredo Bonanno described it well in his book Max Stirner when he says, “The first duty toward Stirner: incomprehension.” Certainly, the few books written about Stirner and his ideas in English in the past century have reflected this lack of even a minimal understanding of what Stirner was doing. This is what makes John F. Welsh’s book distinctive.

I consider much of the “incomprehension” in the face of Stirner’s book to be a choice made by his various critics and commentators. It is true that Stirner’s thinking is difficult, but not in the sense of being hard to understand – and in his masterwork, Stirner presents it in a clear, even blunt, language. Rather its difficulty lies in the fact that it removes every abstract ground of certainty from beneath our feet, leaving us to rely only on ourselves. This is why he begins and ends the book with the cry: “I have set my cause upon nothing.”2 And very few want to face this prospect of total self-responsibility. Welsh seems to be one of those few, and this makes his book worth reading. Unlike all of Stirner’s critics whose works I have been able to read and most of his defenders as well, Welsh comes to Stirner with no obvious preconceptions about what Stirner was saying. Instead he attempts to understand what Stirner’s project actually was and how it might be useful to us now. The flaws in Welsh’s understanding relate to the most difficult aspects of Stirner’s thinking, his attempts to use language to point to the inconceivable, the unspeakable unique, and to the equally non-conceptual union of egoists. I will go into this more later.

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