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Archive for June 15, 2016

Dispatches from France Four: Nantes Manifestación 6/2/16 Postscript, A Night at the Opera

nantesopera3
El Errante

“When the National Assembly becomes a bourgeois theater, all the bourgeois theaters should be turned into national assemblies.”
Graffiti, Paris May 1968 (above the entrance of the occupied Odéon Theater)

During the impromptu manif, referenced in the previous dispatch, several people moved through the crowd handing out leaflets. I took one, as did most of the folks I was with. They said that should the crowd be dispersed — as happened shortly thereafter — that folks will regroup at 6pm at the same assembly spot that the unions had used earlier in the day. It also indicated that food would be served and that more actions might happen. The afternoon was spent at a comrade’s apartment eating, hanging out, talking about demos in other countries that people had attended, drinking coffee and the local beverage Bretagne cidre.

At around 6pm we all headed out the door to see what was on the organizer of the event’s mind. We arrived at the rendezvous to find maybe 50 folks hanging out in small groups. Many were drinking beer, and the mood was decidedly more relaxed than the initial encounter in the morning. Some of the comrades were certain it was going to be an autonomist shenanigan, but only a few were there, and they seemed as curious as the rest of us. Finally about a half hour later a guy went from group to group, spoke for a minute or two and then would move on. He approached us and said that we were going to the theater area in Nantes and show support for some of the workers there, and that after we would meet at a park for food and drink. By now there were about 75 folks total and we set off to our first destination, walking initially in the center of the tram tracks and then blocking the road as we finished the march. Loud whistles and shouts came from the group, and occasionally folks would chant or sing. Everyone felt good, as I learned on a hot August night thirty years ago, its great to riot, and nantesgraffiti2even better to do it and not get caught. As we neared the theater area in Nantes we came upon the rear of the Nantes Opera and wheeled down one of the building’s side streets, finally pouring into a central plaza. As we arrived applause and shouts from protestors already there could be heard. Finally coming into view of the plaza it took about two seconds to realize that this was no show of support, it was something very different indeed.

Arrayed in the front of the Greco-roman columned Opera, were about 100 folks dressed in casual, but expensive attire. They had tans. They wore Rolex’s. And they were really pissed off. Standing under the portico were dozens of radicals who moved in and out of the Opera building freely. Occasionally someone from the plaza would walk up the steps, negotiate a path through the malcontents, enter the building and ask a question or two of what looked like Opera employees. Inside the building a man stood on the steps that led into the theater proper, he waved a large CGT red flag. The foyer was packed with folks from the morning march;[:] autonomists, anarchists, radicals, union folks. After one look I turned to a comrade and said, “It’s an occupation.”
“Not yet. We’re not completely into the theater. But it could be,” he replied.

In one sense the modern revolutionary era was kicked off by an occupation, that of the Bastille. In fact, as the July Column (that commemorates the revolution of 1830) stands in the place of the hated Bastille to this day — one could conjecture that this specific occupation has continued for 200+ years. The other occupation the situation called to mind was the seizure of the Odeon Theater in Paris on 15 May 1968, by a revolutionary committee of artists and students. They held the theater for a little less than a month when it was finally forcefully cleared by CRS goons.

The would-be occupiers in Nantes were listening to a well dressed woman speak to them from the stairs when I pushed my way inside. She thanked them for coming, expressed hope that the Loi du Travail manifs would be successful and then asked them to leave. Of course, no one budged. There was some additional milling around by the protestors. I went in and out of the building several times, the bourgeois who stood in the plaza and watched as their evening plans were being shattered fascinated me. Their faces were alternately angry, confused and indignant. Once or twice I caught a conversation between a protestor and one of the plaza crowd. The bougeois would ask questions like, “How could you do this?” Alternating with demands that the mob move on to other engagements. Like she was speaking to a child. And protestors would fire back about the Loi du Travail, the ZAD, or just ignore the question, and the questioner, completely.
Meanwhile on the plaza, two men in suits viewed the full scene from a nantesopera3distance. I turned to a comrade pointing them out with a nod of my head and he said, “Right. Likely CRS officers, deciding what to do.”
I walked back inside to watch a brief shoving match had broken out between the Opera employees and the protestors. It was pretty low key, as these things go. In fact the crowd seemed less interested in a full occupation that in taking the protest into the enemy camp. And if that was the goal, they succeeded.

Finally, some food and beer showed up for the mob. Evidently they had decided to party in the shadow of the Opera. The folks I had come with decided to eat elsewhere. So we walked off as the protestors milled about inside and outside the theater, talked, ate food, and relaxed.
I still was confused about the almost complete absence of cops; save the two CRS supervisors and some Nantes gendarmes who rode by on scooters, we had seen no one. I asked about this and got a reply that illustrates in many ways the ongoing nature of social contestation in France. The comrade replied, “They won’t do anything as long as the protestors eat and drink and don’t destroy anything. This is a nice neighborhood, they won’t attack unless absolutely necessary.”

As we walked we came upon another plaza removed by about 200 yards from the Opera plaza. In it dozens of gendarmes in full riot gear lounged by crowd control vehicles, talked, and waited to see if they would eventually be needed. Oddly they looked as relaxed as the crowd they were supposed to be ready to mercilessly attack with teargas and truncheon. That night, however, evidently in everyone’s opinion, another riot just didn’t seem worth the bother.

Dispatches from France Three: Nantes Manifestación 6/2/16, A Fateful Resonance, Lines of Graffiti

Nantes1

“Dans la rue avec la CGT on fout le zbeul”
(“In the streets with the CGT fucking things up”)
–Graffiti 06/02/16 Nantes

El Errante

Nantes, Pays de la Loire. Another day. Another manif against the Loi du Travail. This time, Nantes. I had wanted to see Nantes; it is near the ZAD and had been the scene of some of the more furious riots over the past months. Some of the video of the action shows the torching of a Porsche, black bloc versus CRS clubfests, and the arrest of dozens of protestors. Indeed, of those protestors held on house arrest as of 06/02/16 nationwide, the vast majority were residents from the area in and around Nantes. There are a number of reasons for this, the city saw a unique upswing in student revolutionary activity in the late sixties of sufficient size to warrant a trip to the city by Vaneigem to see what, in fact, was happening. The Nantes unions had declared for a Commune which lasted from 23 May to 12 June 1968 during this time the town hall was occupied by a joint strike committee of workers and peasants. This insurrectionary activity has continued to the present and the resonance between the ZAD, and the nearest large city, Nantes, is clear.

I arrived in Nantes on the Sunday prior to the event and had been told about the progress of the planning for the manif. It was pointed out to me that the folks involved in logistics had a very hard in time in Nantes estimating how many folks will attend any given demo. As an example at one of the pro-ZAD manifs in 2013, the expected 5,000 attendees was vastly underestimated, and most observers put the final census at a whopping 20,000 protestors. Planning therefore, and flexibility, are important. The date was set for June second at 10am, all the unions would attend, as would other interested parties — and basically any radical anywhere close to Nantes, who heard the call-out, marked their calendar. I went to the demo with a number of local anarchists and a member of the Federation Anarchiste from Paris. The turn out proved to be less than huge, perhaps 2 to 3,000 — tops. Yet there was a nantesdamagesignificant number of black bloc folks there, and also a good turnout of the local anarchist community. Who were missing were the police, CRS, and the assorted forces of law and disorder. They were nowhere to be seen, which I counted as odd. The march began with the union folks starting off followed by the black bloc and radicals who quickly moved to the front. The first turn was to lead to the local prefecture, essentially the executive of the large county-like structures that functions as a middling level in the hyper-centralized French state, and the police prefecture, no explanation needed and finally into the heart of Nantes. We were supposed to walk across a bridge that spans the Erdre river, a small tributary of the Loire, but it was blocked by hordes of cops, riot vehicles, all standing behind an impressive mesh steel fence reaching to the bridges upper structure. The black bloc went to work throwing bottles filled with paint and some irregular objects. But with the steel fence blocking projectiles there was little that the black bloc could do so the tactical decision to continue and ignore this first technical victory by the police was taken. By now the unions, led by the reformist CGT, had passed around the black bloc and continued to march to — God knows where. The stated goals of the march, the prefecture, the prefecture of police, the town hall and the Nantesgraffiti3train station now seemed out of reach. Undeterred the black bloc regrouped, a graffiti bombardment began (more on this later), and quickly sought to regain the lead position in the march. I stood in the back and watched as a virtual horde of black clad warriors moved quickly past the unionists by sticking to the sidewalk. It looked like a march of black ants climbing a non-descript multi-colored tree or wall. As they attained the front there was a brief halt as CGT marshals tried to get the black to bloc to turn around. They said if they tried to move into the town center, which was the general direction they were headed, that they would all get their asses kicked. The black bloc was not impressed and after some debate and a moment’s hesitation moved off. As I walked in the black bloc the FA comrade beside me looked back and said, “Good, the CGT is following.”

One thing the black bloc had brought to the march was new to me, a sound system, a good, loud, fucking sound system. Which they used to blast alternating dubstep, détourned revolutionary songs, French classics and pop. As we marched we saw a number of cops running in our direction from a side street, as they did the sound system blasted the last minute or so of MIA’s Paper Planes, which includes the chorus of, “All I want to do is (four loud gunshots) and take your money.” The song stopped the bloc and most turned and faced the advancing police as they mimed the gunshots by pointing their fingers at the cops and imitating the motion of firing a pistol and then loudly sang the final line. The faces of the police as a few hundred finger pistols shot at nantesgraffiti1them was classic; a mix of horror, anger, and something else…fear maybe, or vengeance. The song ended, and the march continued. It was pure political street theater, and a scene I’ll likely not forget.

We moved past the town hall, an ugly office like affair, which suffered greatly in smashed windows and loads of graffiti. Moving past the building brought the black bloc into a small open square, which revealed a line of CRS facing their right flank. Barely had I made the open square when the sound of dull thuds sounded and multiple canisters of CS gas poured down on us. The handkerchief came out and I wrapped it around my face. There was little to do but move fast past the spreading shadow of the NiklaBacteargas. The black bloc decided not to stand and fight in the tight streets and moved quickly down and onto the central plaza, and the final destination — the train station.

There was an impromptu march by the assorted radicals after the termination of the original march. We followed this march for about a mile. It was gassed twice and the CRS finally moved in to disperse it along with the most fearsome element of French law enforcement, the BAC (Brigade Anti-Criminalité). The BAC are units of physically fit lunatics whose job is to move in and arrest demonstrators, when there are no manifs to harass, they turn on drug dealers — and in Marseilles at least, steal their drugs and sell them or use them. The Marseilles BAC was fired to a man in a massive vandalismcorruption case that included drug seizure, sales, intimidation, etc. In the black bloc the BAC are loathed and everyone seems to have their own favorite BAC story of abuse and degradation. The folks I attended the manif with decided that the march was ending and so we moved off. At the same moment there was a sound of tear gas being fired and the entire remnant of the demonstrators turned the corner that we had left them at, and came running straight for us. As it happened the FA comrade smiled and said, “ The hardest thing is leaving a manif. Sometimes it follows you….”

The next day I retraced the route of the march to get some photos of the graffiti that had gone up. It varied greatly, alternately ironic, chiding, demanding, and funny. It’s only common characteristic was a knife-edge of provocation and subversion. I include some of the standouts with translations and explanations where necessary.

Dans la rue avec la CGT on fout le zbeul

In the streets with the CGT fucking things up

[A double meaning. 1) The black bloc chiding the CGT as reformist and pacific and 2) An invitation to the CGT to join the bloc to make thigs better. Note also the extreme slang of “fucking things up” (on fout le zbeul)]

2017: les urnes en miettes

2017: ballot boxes in pieces

(2017 is the next national election in France)

Nik la BAC

Fuck the BAC

l’action est le soeur du reve

action is the sister of dream

laragelaswag

Le Rage et le swag

The Rage and the swagger Nantesmayor

l’emuete embellit ma ville—Johanna Rolland

riot embellishes my city—Johanna Rolland

( Rolland is the mayor of Nantes)

Nantes, l’emeute au naturel

Nantes, all natural (organic?) riotimaginationpourvuir

L’imagination a pourvoir

The imagination fulfilled

(a twist on the May ’68 Situationist slogan, “All Power to the Imagination”)

Vive le Vandalisme

Long Live Vandalism

(in the original, Vandalism is misspelled…deliberately?)